Thursday, December 27, 2012

To live passionately...

“I would rather be ashes than dust! I would rather that my spark should burn out in a brilliant blaze than it should be stifled by dry-rot. I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet. The function of man is to live, not to exist. I shall not waste my days trying to prolong them. I shall use my time.”

~Jack London

Monday, December 24, 2012

Blessings...

Last minute holiday sales are the best!
When you support an artist by purchasing something you often provide their:

 studio rent, cover the fees for the shows they would like to participate in, enable them to buy supplies, help to buy food/diapers/clothes for their child/children, pay the electric bill or student loans, enable them to order out pizza one night instead of having to cook, put a little in that savings account for their little one and perhaps give them the luxury of not having to worry so much about it all for a little while. (At least that is how it benefits me) thank you!

Monday, December 17, 2012

Here

So often when i approach the time when I know I should write a blog post, I become anxious.
It is not writing that makes me nervous (though most posts are influenced in some way by sleep deprivation- and that often makes me nervous in retrospect)...

It is a balance and an awkward dance for me- to speak from my heart and current experiences but in a professional manner.
The words I put out "here" can be taken many ways.

As an abstract artist, I have grown to be comfortable with that in regards to my work. with my words and experiences- its an on going challenge to find the right balance.
(add to that challenge- how do I express the profound impact of my Christian beliefs without alienating anyone...)

Perhaps it is naive in a way, but I would like to honestly convey myself here. At the same time I can grow weary at the sound of my own voice, even if it is via text.


i suppose it might be helpful to give you a general context of who I am in case you don't know me.
I an 31 years old. I have been pursing a career as a professional artist for 9 years.
I bartend almost full time to help supplement my expenses.
About 14 months ago, Joel and i were given the greatest gift and biggest responsibility of being the parents to our amazing daughter, Annaleah. Truly- "mama" is the best thing i have ever been!!!

I find my time to create my work, catch up on business aspects of my career and post here late at night when she is asleep and often after at least an 8 hour shift of bar tending.

The baby monitor gives me the comfort of knowing how she is doing while I try to focus on the tasks at hand.

(And those tasks at hand most often involve trying to pour my heart fully into my work. )


Please bare with me as I continue to learn how to best communicate and convey a realistic picture of myself, my work and my business here.

Thank you for reading my blog and thank you to all of those who encourage and support me.

Saturday, December 15, 2012

Do it good

My heart is heavy for the families in CT who have lost their loved ones. The idea of losing a child is unimaginable, but to lose your child in such a way...
My heart gets overwhelmed- tears won't suffice. My prayers must be enough... What else can I do?

At some point, along with the busy schedule of bar tending and being mommy, the news gets turned off. And tonight I have to work in the studio on something that is difficult and at this moment annoying. I realize that this is all so trivial compared to what those families are going through...
But I have to get it done.

A song comes to mind. The same one often pops into my head during such challenging scenarios in the studio, and one line in particular.

"Just do what you do and do it good"

From "Do it Good" by Bill Withers.
In this part of the song bill withers is quoting booker t. he was giving him advice as he was beginning to record his first album.
I know that it is grammatically incorrect, but at the same time there is a difference between "good" and "well". It resonates with me and I'm grateful for the simple words giving good advice on a funky background in my head as I get to work.

Friday, December 14, 2012

Artistic competition...

In general I have found that the competitive spirit can bring out some of the ugliest qualities in people. At the same time it can push people in a positive way.

Among artists, I have seen a wide array of competitiveness. I, myself have felt, wrestled and dealt with it.
I realize that there are many many artists out there trying to do what I am trying to do. And there are only so many galleries, buyers and exhibition spaces...
This can make artists competitive with one another.

Unfortunately it is true that there are thieves in every profession. It is wise to guard yourself artistically to a certain extent because there are some people out there who have ill motives.

If you have worked very hard for years to know your medium and express your vision with it , it can feel like a violation when an artist steps into your life and wants you to show them exactly how you do what you do. "I want you to show me how to paint like you do." (Please note- these scenarios are not an artist just wanting to learn a new medium or simply trying to understand my work)

Likewise, if you have spent years building your career and somebody you barely know or don't know at all (who is just starting out on their career path) asks you to hook them up with every connection you worked hard to make, you can feel like a line has been crossed.
"Hello my name is (somebody). I'm just starting to show my work. Looking at your résumé online, I see you have had some experience. Can you recommend me to the exhibitors you have worked with?"


But at the same time there is a healthy place of fellowship that can be had between artists. It is a hard thing to try and make a career out of your art. The support of fellow artists can truly be invaluable. I have been very blessed to have artists more advanced in their careers than i, encourage me and give me some pointers along the way. They have often been savers of my sanity!
I also aim to encourage fellow artists.

I was inspired to talk about this subject after a meeting with a fellow artist. While talented and having a vision of her own, she was having trouble with the encaustic medium. We did a private lesson, where I aimed to help her do what she was trying to do and as a fellow artist, encourage her to continue. She spoke of finding much opposition from other artists to help her. in a way, i could understand both sides of the scenario...

I spent some time trying to look up online psychological analysis about artistic competitiveness. This is one thing I found-

"How does competition either help or hurt creativity?
According to Mark A. Runco, author of Creativity, Theories and Themes: Research, Development, and Practice, all individuals are unique or idiosyncratic when it comes to the effects of competition.

For example, Brian Wilson of the Beach Boys did not handle competition well, becoming increasingly depressed with competitive pressures.

On the other hand, the Beatles probably benefited from the increasing competition between John Lennon and Paul McCartney, Runco states, quoting a 2006 study by Greg Clydesdale of Massey University.

The same study showed a similar competitive relationship between Georges Braque and Pablo Picasso who mixed competition and collaboration, similar to Lennon and McCartney.
Another psychology researcher, George Spurling, referred to the Picasso-Braque competition as a “rivalry that proved one of the richest and most productive in Western art.”

http://www.allpsychologycareers.com/topics/social-psychology-and-creativity.html


In general, as an artist i believe it is a matter of drawing a line. I will help people in many ways, but I will not put my name on the line by recommending somebody I don't know. Nor will i help people who seem to want to "steal" whatever secrets there may seem to be about how i do my work. ( I have had encounters with some rather brazen characters!)


Please understand that I will bring you into my studio if you want to come. I will even give pointers or a general introduction to
Encaustic. (Which has become rather fashionable ). I will certainly try to encourage fellow artists. I will talk about the personal meaning of my work and process, but at some point a line can be crossed and warning bells go off.

Please let me assure you that in the negative instances mentioned above, it became clear that the person had ill intentions.
While I aim for my career to continually advance, I am very grateful for the experiences that I have had and that I've been able to continue to do this. And I am exceedingly grateful for the support I have received along the way.

Monday, December 10, 2012

Image

I have pondered several things to talk about here tonight. I'm exhausted so I'll just have to be satisfied to share this image from my studio steps.

Saturday, December 1, 2012

New Work

 
"Awake"
36"x36"
encaustic on panel
 
 
see more at ebcbrown.com.

Thursday, November 29, 2012

Oh- Yves Klein, how I love thee...

http://www.washingtoncitypaper.com/articles/38964/blue-streak-the-bravely-conceptual-yves-klein-stars-in-a/

Friday, November 23, 2012

reaccuring themes 1

Often in my work there are titles/ideas that appear in my work repeatedly.
This is evidenced by a title followed by a "No.".
I thought it might be interesting to write about why i'm so fascinated by these certain things in my work.
To start off- i'm going to talk about a more recent theme...

"Nocturne"

The Merriam Webster online dictionary defines Nocturne as...

"Definition of NOCTURNE
 a work of art dealing with evening or night; especially: a dreamy pensive composition for the piano —
Origin of NOCTURNE
French, adjective, nocturnal, from Latin nocturnus
First Known Use: 1814"
 
(a simple definition in my terms- "ode to the night")
 
I have always been a night owl.  I work at night at a bar and i find i'm most creative after 10pm.  Since Annaleah was born, i have almost always only been able to work late into the night while she sleeps.  I saw that this started to come through in my work- dark paintings with diffused passages of light and color...
which inspired 2 paintings thus far to be titled "Nocturne".
 

"Nocturne"
2012
 

 
"Nocturne No.2"
2012
 
 
Being that my schedule will most likely remain unchanged, i would expect that this will continue to be a reoccurring theme in my work.
 
 

Thursday, November 22, 2012

Thankful

I would like to thank all of the wonderful people you have supported my work over the years.
I am truly humbled and blessed. 
Your encouragement and support helps me to keep doing it.
From the bottom of my heart, thank you.

Saturday, November 17, 2012

anyone and noone...

While on a choir trip in seventh grade i became very ill.  i believe i fainted during the performance. (so embarrassing!).  i remember being on the bus as the rest of  my class was continuing to enjoy themselves and grabbing any abandoned jacket around me to keep me warm.  when i got back to the school, they took me right to the nurse's office and let me rest.  a little while later she woke me up and took my temperature. i was feeling a little better. my temperature was 103.9.
i don't remember much after that... i was in a sort of zombie state for about 5 months. i remember trying to understand what was happening on a TV show and being confounded. i remember needles and lots of doctors appointments in blurs that don't add up to anything of substance.  i remember my mom being terribly worried. i was always cold and i didn't really want move or eat. if i did so it was to please my poor mom.
somewhere the chains of doctors appointments lead us to the neurology department of CHOP. i don't know the doctor's name, but i wish i did.  he discovered that there had been a virus attacking my brain. (why did/ does that happen? i have no idea!) and he said that it seemed to be leaving my system.  i kind of remember trying hard to  tune in at this point.  he said my name. i tried to look up. he locked eyes with me, put his hands on my shoulders and said something to this effect-
"Erica, the virus is leaving your system, but you still have to fight it.  you're not going to be ok unless you fight it. you have to come back now. do you understand me?"

i did.

something funny happened to me while i was in my hibernated state.  i always enjoyed drawing and writing before, but not nearly as much as performing. i was determined to wind up on Broadway.
when i came out of hibernation all i wanted to do was draw/paint/write.  i still get stage fright to this day.  i became much more introverted.

as i started 8th grade i had to find myself in a whole new way. not that i really had my identity all figured out in 7the grade, but a lot of what i did know about myself had changed while my brain was on vacation. 

my english teacher gave us an assignment to research american poets.  on that list was E.E.Cummings.  i was drawn to the name and started reading his work. it was confounding. i loved it. that time i spent in the library pouring myself over his poems in solitude was such a wonderful break from the chaos i found in the rest of the school. who was cool or not. who was pretty or not. who was the loudest... what is the name of that person that i've gone to school with for the past 8 years...

in particular i fell in love with poem below.  and i continue to love it.

anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did

Women and men(both little and small)
cared for anyone not at all
they sowed their isn't they reaped their same
sun moon stars rain

children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more

when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her

someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream

stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)

one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was

all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.

Women and men(both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain


by, E. E. Cummings

thus far i have only ever created one piece in it's honor, but i'm sure that will change.

"Anyone"

in retrospect, i am grateful for this experience because it is a part of what brought me to where i am.
i believe that everything happens for a reason.  at the time i'm sure that i would not have been so insightful.  but if this experience didn't happen to me would i be a painter? or would i be a sub par overly ambitious broadway hopeful...
if nothing else, in the face of any hardships or regrets i might have had in my life- if those things are what brought me to this point- especially being the mama to Annaleah, then i wouldn't dare change a thing!

Friday, November 16, 2012

busted organ

busted organ out by the trash in west chester... i love you.



Monday, November 12, 2012

What an amazing woman!

"The best and most beautiful things in the world cannot be seen or even touched - they must be felt with the heart. "
Helen Keller

Annapolis

"Rapt" in the "Strokes of Genius" exhibition at the Maryland Federation of Art in Annapolis, MD.

A rather humbling exhibition title to be involved in!

Saturday, November 10, 2012

Horrace Pippin

"Pippin's artistic talent appeared early; as a ten-year-old he won a box of crayons in an art contest. 'When I was a boy I loved to make pictures,' he later wrote, but it was the war 'that brought out all the art in me. . . . I can never forget suffering and I will never forget sunsets. So I came home with all of it in my mind and I paint from it today. ' Most of Pippin's earliest work is lost. Only one sketchbook remains from his numerous wartime drawings, which may be examined in his papers at the Archives of American Art in Washington, D. C."


Shame on me for not noticing it sooner! The person talked about in the above quote lived a stone's throw from my studio. I finally discovered this when I went to paint "Ode to West Chester" about a year and a half ago. I aimed to feature text from particularly moving historical placards in my town- only to find that one of the most poignant was so close all along. Please read about this great man and artist here:
http://explorepahistory.com/hmarker.php?markerId=1-A-1A0
(quote from http://explorepahistory.com/hmarker.php?markerId=1-A-1A0)

Monday, November 5, 2012

along the way...

photos of things that i've stumbled upon that inspire me right now in their own way....
 





this week's events

 
 
also...
 
 
"Strokes of Genius"
The Maryland Federation of Art
The Circle Gallery
Exhibition runs 11/1-11/24
Reception is this Sunday, November 11th 3pm-6pm
18 State Circle, Annapolis, Maryland, 21401
 
Please note, that it is a honor to be included in the exhibition, but i only have one piece there.
"Rapt" is included in this exhibition.
 
 
 
 

Thursday, November 1, 2012

Wednesday, October 31, 2012

Learning

It can be difficult to find your way in something that your heart is invested in.

Through much of my life I've looked for a knight in white shining armor only to learn that the one to really be with is not some gallant, idealistic figure. Instead it is a good man who can meet me where i am and embrace me as such, but also help me to grow.

Though I aim to make a successful business of my art and approach it as a business, it deeply involves my heart. Therefore that same old romantic notion seeps into what should be my business plan. I suspect I am not alone. I imagine other artists hearing stories of wealthy benefactors "adopting" artists swoon, like me, and daydream...

But I do not need saving in the business of my art. i am (thankfulIy) not desperate. i should not let the fact that my heart is so involved in the creation of my work handicap my logic with romantic ideals when it comes to my career. It's one step at a time. It is knocking and looking for the right doors to open.

I believe that I am really supposed to pursue this career in art. How exactly it will progress is a journey in of its self. I need to make sure that I do not idealize anybody in the business sense of things, but instead look for a good fit.

It's funny how the same lessons in life come around again in different ways.

I realize this is a rather personal blog post. I'm putting it out there because I think that other artists may gain insight. Also, I think that those who appreciate my work may like a glimpse into what it's really like for me to do this.

Tuesday, October 30, 2012

Quote

"The professional loves her work. She is invested in it wholeheartedly. But she does not forget that the work is not her."
From "The War of Art" by Steven Pressfield pg.88

Friday, October 5, 2012

tonight...

We were late in planing it.  Life got in the way for both of us.
On my side of things- that happens easily with a very active and engaging almost 1 year old, my art carear, bartending, and what is this sleep thing people keep mentioning?
It was an unlikely space.  Amidst the storefronts of downtown West Chester, this is one of the places that has remained visually much like the home it once was.  I didn't know what to expect, though i nearly killed myself (and burnt my studio down) to have 4 new pieces on display. I promoted it mainly via facebook and word of mouth. He did the same, but with a cool sign out front all week.
On the third floor, off the beaten track and in a slightly random place to have my art, i had no idea what to expect.
What i recieved tonight was one of the most euphoric exhibiting expieriences of my carear.  Please believe me- my glow must be visible from other planets!
If you are reading this and you were there, please take to heart that you are a very significant part of this.
It was all about the people who came out...
old friends that i've missed,
regular customers from my bar who i truly care for but i might not have realized that the feeling was so mutual,
fellow artists who i greatly respect both in work and character,
supporters of my work that i have not often met in person,
the parents of one of my oldest and dearest friends (one of which has terminal cancer),
strangers, including one man who was incredibly encouraging and insightful about the art world...
all of these wonderful people saught me out in this location and climbed 2 lengthy stair cases to get to it/me/us.
i heard tidbits of insightful conversations about my work but was too busy to easdrop fully.
i am overwhelmed.
i am storing this experience away in my heart.
my aim is to branch outside of this area and ideally grow my buisness so that one day all i will have to is paint and be a good mommy. (and volunteer, maybe teach..) but tonight my town gave back to me so much!
the inspiration and encouragement from tonight makes my heart overflow with gratitude.
such a wonderful night!
thank you.]

Monday, September 24, 2012

Fall Exhibitions...

here are my exhibition and event listings for the fall-


First Friday in West Chester
Friday, October 5th
6pm-9pm
Universal Massage Arts
105 S. High Street
3rd floor
West Chester, PA  19380
Recent works by Erica Brown.

Great Lakes
“Small Works”
October 4 – November 10, 2011
Reception:  Friday October 5, 5-7pm
Riverside Arts Center
76 N. Huron Street
Ypsilanti, MI 48197
“39 Hours” is featured in this exhibition.


“Art of Caring”
The Hickman
Friday, October 12, 2012 6:30pm
400 North Walnut Street
West Chester, PA 19380
The hand painted furniture piece created by Erica Brown is currently on display at Fairman’s in West Chester, PA.

 
Maryland Federation of Art
“Strokes of Genius”
Exhibition dates:  November 2 to November 24, 2012.
Reception: Sunday, November 11, 3-6 p.m.
Maryland Federation of Art
Circle Gallery
18 State Circle
Annapolis, MD  21401
410-268-4566
“Rapt” is featured in this exhibition.

 
The Unionville Art Gala
November 9th  6-9pm and November 10th 10am-3pm
Unionville High School
750 Unionville Road
Kennett Square, PA  19348

 
 

Thursday, September 20, 2012

of slugs, accidental hommicide and unlikely inspiration...

ok- i have 2 confessions...
1- i love most living things and find many unlikely living creatures endearing. this includes slugs.
2- a couple of nights ago i went to step out onto my studio stoop (barefoot mind you) and stepped directly onto the head of slug. i felt terrible. i almost cried.

*please note: i have done no research in attempt to answer the questions that follow.  in a rather romantic mood- i'm ignoring google for the time being and letting the questions fester and in their own weird way inspire... but feel free to respond if you know any of the answers.

tonight i went out on that same stoop. after a few minutes i happened to glance at my feet and right there next to me on the doormat, right near the remains of what was the head of that slug from the other night, was a slug just like it.  i moved the doormat to the side and conintued to watch.  it slowly crept to the spot of the remains and has lingered there for a long time.

here is where my corky questions begin...
1 are slugs cannibles? is it eating the remains of the slug i accidentally killed? was it attracted to it for that reason?
2 how quickly do slugs regenerate? the "new" slug came from the direction where, disqusted with myself, i had tossed the body of the slug i accidentally killed. is it mourning the loss of it's own head?
3 is this some type of crazy sign?
(i realize that the last question is not very logical, but like i said- i'm going with a romanticised mood)

perhaps i should take this strangley emotionally charged experience as inspiration for a painting.
lets call the slug i killed...hmmm...jasper.  if you see a painting involving the name Jasper on my website in the future, you now know where its inital inspiration came from.

this would not be the first painting i have done in the honor of a random seeming pest.
there is "Annabell" which was painted in the honor of a very aggressive spider living in the front window of a place that i was staying.  i did my best to relocate her for the sake of the children living upstairs, but felt kind of bad about it.
below is "Annabell" the painting.  unfortunately(?) it sold before i got a good photograph of it.


 
 Then next would come "Tribute".
i was at home reading. i had a rough day and was actually going through a rough time.  i was taking a moment to pray about it all when something which went accross my view.  i focused my eyes on it and it was a tiny white moth.  it had featherlike wings and though they were moving very fast, they were so small that i was able to get a good look at it. it was beautiful. an odd image of hope amidst my troubles.  earlier in the night i had done some painting in my sketch book with black sumi ink while taking a bath.  (yes, i know. not the best idea. i will tell you someday of how i once dyed myself, my tub and towels all green from a bath/painting mishap!) i had left the ink out on the counter.
when i woke in the morning, still with that tiny white moth on my mind, i walked into the bathroom. to my horror i found the beautiful tiny white body of a moth floating on the surface of that jet black ink. i felt absolutely terrible. i never touched the cup and let the ink evaporate with the body entombed.  i later presented it to the person who bought the below painting.
and in it's honor i painted "Tribute"

 
 
and as i write this, that mystery slug is still engrossed in the remains of Jasper. i'm not sure what to think of it. the longer it stays, though, the more seemingly gruesome the inspiration becomes. i'm going to stop looking.

Sunday, September 16, 2012

After a conversation

The other night I had the pleasure of talking about my work to a couple that is interested in becoming collectors. The gentleman seemed to feel awkward asking questions about my work. He labeled himself a non-artistically minded person. I tried to put him at ease, but because I was working at the time, I couldn't give them my full attention. If I had the time this is what I would have said...
Its ok not to "get it".
And "getting it" is often a misunderstanding...
It's okay to ask questions.
Your interpretation has it's own merit.
(I certainly do not aim to confuse my viewers. If I reference something vague, it is because I do not want to limit the people who view my work in their personal interpretation.)
If it's abstract art in general that you don't "get"- that's ok! Let's talk- maybe I can help.
If you really want to try and understand my work in particular, come visit my studio and I'll walk you through the process, both of thought and action. I will do my best to put you in my shoes creatively. You can ask me just about any question that is on you're mind.
* * *
Of course artwork is a valid investment in of itself, but I do hope that the majority of people who purchase my work do so because they genuinely like, are moved by and/or want to look at it often.

I decided to share this because this is a common scenario. I thought that by putting it "out there" maybe somebody else might find it interesting to hear my point of view on the matter.

Thursday, September 13, 2012

Inspiring

"Truth and reality in art do not arise until you no longer understand what you are doing and are capable of but nevertheless sense a power that grows in proportion to your resistance."
— Henri Matisse, Painter

Monday, September 10, 2012

39 hours

I just found out that my piece, "39 Hours" will be a part of the
"Great Lakes Small Works" exhibition in Ypsilanti, MI
at the Riverside Arts Center in October.
Unfortunately i will most likely not be able to attend and will be shipping it.
If you live nearby, i hope you attend :)
 
Great Lakes "Small Works"
Reception: Friday October 5, 5-7pm
exhibition runs from October 4th- November 10th
 
Riverside Arts Center
76 N. Huron Street
Ypsilanti, MI 48197

"39 Hours"
6"x6"
mixed on panel

Thursday, September 6, 2012

WC Dish Artist in Restaurants Series

I was interviewed by the wonderful Jeff Schaller for this online publication last month.
thought i'd share...
http://westchesterdish.com/2012/09/artists-in-restaurants-erica-brown-in-pietros-prime/

check out his blog here or his website- http://www.jeffschaller.com/

also, here's a funny, brief video portion of the interview from his youtube channel:

http://www.youtube.com/watch?v=UHdvAnUex0k&feature=bf_prev&list=UUpjsGlTotRvkid3yhaVo4XQ

(i'm such a dork!)

Monday, September 3, 2012

the fight and how it began

"Work isn't to make money; you work to justify life". (Marc Chagall)

to make a business out of my art is not an easy task for me (and often not even for the most seemingly confident professional artists.)

on the negative side, it is filled with fear, worry and frustration.  overcoming insecurities and taking a chance in the business realm- never mind the wrestling of self in the actual studio and production of work, or the financial issues. if one should study art history, you realize that most artist's work is not truly appreciated until long after they have passed.  and then every aspect of their life becomes a part of their story.

possibilities are wide open, but you are one artist amongst millions trying to do "this".
and what you are offering may be your absolute best, but just not quite what somebody is looking for...

on the positive side- it is filled with inspiration- letting one's self embrace the creative spirit and at times get lost in it. the gift of affirmation- good reason to continue doing such a difficult thing when somebody is moved by something you create, when you receive great free press or when an exciting exhibition falls into your lap.
when somebody sees something you have created and just has to have it...


i'm kind of in the limbo here...
i know i need to branch out. to grow.
practicality will not allow me to do as many shows that i think may have doubtful results.
now, more than ever, i need to attempt to make this business of my heart work.
i have a family now.
at one time i sacrificed eating to buy art supplies. i can't do that anymore. i need to function. i need to provide...
right now on one side i am facing my fear and trying to take my career to the next level.
on the other side i am delving back to my roots in the studio- why i do all of this in the first place.
i am getting ready to work on several larger scale encaustic pieces (unfortunately, for the sake of preservation, larger scale encaustic pieces are usually max  48"x48" unless you work in a diptych or triptych format)
as you can imagine, all of this breads quite a level of legitimate anxiety.

so i remember...
Erica, you were a student at Tyler. you just started dabbling in encaustic. there was this image in your head that you couldn't shake. as usual for you, there is often a disparity between what you see in your mind and the process to achieve it. (perhaps this is why i was made to "find" my paintings as i paint them). it was a 78"x78"stretched canvas. you worked on it at night when there seemed to be nobody around. you were still clinging to the interaction between figures to convey your meaning, though it was evolving to be come more and more abstract.  you went to take a break. you wrestled with yourself until you were ready to delve back into it. it was almost done...
you returned to the studio space to find somebody before your painting.
you watched as they cocked their head, this stranger, and seemed to get lost in it.
they looked around (not seeing you) and then moved closer and lovingly stroked it's surface.
you watched in awe and turned around and tip toed out of the room
this was bigger than you. that moment between the viewer and the work that you witnessed was a treasure.
this is the first time i truly felt a quote i often use-

"The position of the artist is humble. He is essentially a channel."
Piet Mondrian

this is the first time i witnessed somebody deeply moved by something these humble hands have created. every time it has happened since, it has renewed my belief that i'm supposed to be doing this.

Monday, August 27, 2012

video interview...

i am honored to be included in this documentary series about west chester,pa based artists.
i will spare you the self critiques of seeing myself on video.
thank you, Gabe, for including me in this project!

http://www.youtube.com/watch?v=tfpr1ziV3ow

Sunday, August 26, 2012

burlap & bean

Burlap & Bean mural day 6:
This is an ongoing project that I have been working almost every Sunday. I aimed to pour myself into these four walls as I do my paintings. An unfortunate (?) byproduct of this is that I developed a love hate relationship with it. I arrive and wrestle with it all day. I go home exhausted and spend the rest of the week pining over photos of how I left it the Sunday before. I create plan after plan of what I will do when I am able to work on it again. I arrive and begin working and usually around 2 hours in the plans are thrown to the wind and I'm lost in the fight. I was sure I could finish it today. I worked really hard but things just didn't come together. I left feeling defeated but as I sit now looking over the photos of today's work, the pining is already beginning again. I'm going to miss this! But I do look forward to reclaiming Sunday's for my family and having more to give in my studio. Thank you, Tara and Brent for your patience and encouragement! To think I was sure at the start that I'd have it done in 4 days. I should have known better!
 

 

Thursday, August 23, 2012

love this...

Tuesday, August 14, 2012

the art of caring 2012

i am participating in The Hickman Art of Caring event this year.
i created a handpainted end table/ wine wrack.
this is something i have rarely done, but that i had a lot of fun doing.
it is currently on display in west chester,pa.
please see details and photos below...

The Hickman's 9th Annual Art of Caring














Friday, October 12, 2012
6:30pm | The Hickman
400 North Walnut Street
West Chester, PA 19380
Building on the success of the past eight years, we are planning an incredible evening of delicious, local food, fine beverages and a truly unique event. The highlight of the evening will be a live auction featuring 12 “Artist’s Choice” furniture pieces individually painted and interpreted by beloved and highly collected local artists. In addition, guests can browse enticing silent auction items, including golf & entertainment packages, fine dining, arts & crafts, and unique experiences. Auctioneer Bill Bunch will lead the lively bidding for one-of-a-kind items. Artists, friends, and supporters of The Hickman are looking forward to Art of Caring 2012. It promises to be the best ever!

Art of Caring 2012 Tour Information

Furniture will be displayed mid-July – mid-October 2012 at businesses throughout the Greater West Chester area. Please take a look, read about the Artists and visit the items in person!


Artist July 23 - Aug. 31 Sept. 1 - Oct. 12
Erica BrownVisual Expansion GalleryFairman’s
Evalyn EckmanJane ChalfantKaly's
Amelia FurmanKaly’sPennwick
Lele GalerTaste of OliveJane Chalfant
Mitch HarperMeridian BankThe Hickman
Linda LynchPennwick ACAC
Bradbury MattesFulton BankVisual Expansion Gallery
Sherry McVickarWCCCFulton Bank
Jeff SchallerFairman’sMeridian Bank
SuperACACGawthrop Greenwood
Amory StedmanThe HickmanTaste of Olive
Nancy ThompsonGawthrop GreenwoodWCCC




 

Monday, August 13, 2012

small things...




 sometimes it is the small things that inspire.
i am blessed to live in a historic town where its age constantly surrounds and inspires me.
the photos below are photographs of the ever present brickwork. deteriorating... beautiful.
the once ridged lines become organic patterns
i would not be surprised if you this as a recurrent theme in my work. i see it every day.







 

Tuesday, July 24, 2012

dennis haggerty



i just found out that a west chester based artist, Dennis Haggerty passed away today.  i had the honor of knowing him for the past 9 years.  he was very encouraging to me when i was first starting out in my art career.  he would visit my bar sometimes, and i loved picking his brain about his experiences in the art world.  i was honored to have known him and to be the recipient of many of his smaller pieces.  i am very sad that he has passed on.

for more info about Dennis, go to...
http://www.chestercountyarts.org/exhibit/2007/haggertyhttp://www.chestercountyarts.org/exhibit/2007/haggerty

Rest in peace, Dennis.

Sunday, July 8, 2012

Things that inspire... Yorklyn, DE

On friday i had an exhibition at "Secrets in Stone" -a sculpture studio/exhibition space.
The owner and associated artists were wonderful.
The space sits as one of the few reconstructed buildings amongst the decaying factory of Yorklyn.
From what i was able to gather from people who live in the area, Yorklyn was a town based upon the factory-  National Vulcanized Fiber- most likely built in the 1920'sThere are the factory buildings, nearby twin homes, a recreational area and even a school (which is now home to the Center of Creative Arts).
Apparently the company went bankrupt and just left one day back in the eighty's.  Since then the majority of the buildings have been let go to decay and slowly be reclaimed by nature  A few people had ventured inside the buildings to find papers and personal belongings amongst the office areas. "It looks like they just left", they said.  Also, some of the materials they used were very hazardous, therefore the land "was found to be contaminated by polychlorinated biphenyls". (http://en.wikipedia.org/wiki/National_Vulcanized_Fiber)
I kept trying to research online about the factory and town's history but could find little. 
Driving into the place was like driving into a ghost land.  I was thoroughly inspired and intrigued.
I went around taking some photographs.  i would have loved to venture into some of these buildings if i was allowed- but at the same time i really want to stick around as long as possible for my daughter.

















Tuesday, June 26, 2012

Secrets in Stone

Friday, July 6th 4pm-9pm


Secrets In Stone Sculpting Studio
1166 Yorklyn Rd.
Hockessin, DE  19763  
 
 302-494-6399
 
 
i am honored to exhibit my work at this event.
i will be the 2D artist, while the rest of the gallery space is filled with beautiful sculptures.
 
i hope to see you there!

Tuesday, June 12, 2012

small things...

it has become somewhat compulsive for me take pictures of the seemingly small things that move me in my daily journeys. thank God for the camera on cell phones?
i'm not quite sure why, but it is nice to document that which moves me and inspires me.
these things are so easily overlooked.
 
 at a nearby park
 above us on a walk with my little one

 weeds in our yard

 looking up from the back stoop
 in back of my work place (1.5 blocks away from home)


in the breeze way adjacent to my studio


at my feet


from the studio front steps